Dominique Morisseau's latest play, "Bad Kreyòl," explores the complex narratives surrounding identity and heritage, focusing on the Haitian diaspora's experience. Morisseau is renowned for her reflective storytelling, much like her previous Detroit trilogy which humanized broad social upheavals. This new play shifts the setting to Port-au-Prince, post the 2010 earthquake, examining the enduring myths of Haitian identity.

The protagonist, Simone, is a first-generation Haitian American who visits her family in Haiti, revealing cultural divides through her interactions. Morisseau uses language and accents to highlight disparities, especially Simone's struggle with the Kreyòl language, juxtaposing her with her cousin Gigi. The play depicts a tension between modernity and heritage, illustrated through Gigi's sophisticated lifestyle, a stark contrast to Simone's American understanding. This comedic exploration dives into serious themes of survival and identity, positioning Simone's journey as central to the narrative's exploration of self-discovery.

Morisseau's vivid portrayal challenges viewers' preconceived notions, inviting them to reconsider historical narratives and cultural interactions. While "Bad Kreyòl" questions the stereotypical view of Haiti, it also brings forward the nuanced realities of its people. The play concludes with a tone of reconciliation and understanding, reflecting Morisseau's intent to confront American narratives about Haiti and emphasize a more genuine representation of Haitian identity. As the play finished, audiences were visibly moved, reflecting on the powerful societal critique Morisseau masterfully weaved through her narrative, securing her place as a transformative storyteller.