UK Box Office: Final Destination Bloodlines, Thunderbolts, and New Releases

Warner Bros. claimed the No. 1 position at the U.K. and Ireland box office this weekend with “Final Destination: Bloodlines,” which opened to a powerful £4 million ($5.3 million), according to Comscore. The film’s success highlights the enduring appeal of the horror franchise and its ability to capture audiences seeking thrilling entertainment. This opening demonstrates a strong market for genre films, particularly those with recognizable intellectual property. The film’s performance is a testament to effective marketing and a dedicated fanbase. This weekend’s box office results also underscore the continued strength of the horror genre within the UK market. In its third week, Disney’s Marvel movie “ Thunderbolts* ” dropped to second but still posted a strong $1.6 million, bringing its running total $18.5 million. This indicates a sustained interest in the Marvel Cinematic Universe and its ability to generate revenue over an extended period. The film’s continued success is driven by its compelling storyline and visually stunning action sequences. Disney’s strategic release schedule and marketing efforts have undoubtedly contributed to its ongoing performance.

The film’s performance is a testament to effective marketing and a dedicated fanbase. This weekend’s box office results also underscore the continued strength of the horror genre within the UK market. In its third week, Disney’s Marvel movie “ Thunderbolts* ” dropped to second but still posted a strong $1.6 million, bringing its running total $18.5 million. This indicates a sustained interest in the Marvel Cinematic Universe and its ability to generate revenue over an extended period. The film’s continued success is driven by its compelling storyline and visually stunning action sequences. Disney’s strategic release schedule and marketing efforts have undoubtedly contributed to its ongoing performance.

Warner Bros.’ “Sinners” followed in third, earning £718,770 $961,049 across its fifth weekend. The film has now reached $19.2 million. This sustained performance showcases the film’s ability to maintain audience interest over multiple weeks. The film’s success is a reflection of its well-crafted narrative and the quality of its production. ‘Sinners’ has demonstrated an impressive ability to maintain a strong position within the top five, highlighting its appeal to a broad audience. Still a fixture in the top five after seven weeks, “ A Minecraft Movie ” added $630,986 to bring its cumulative total to $74.1 million. This remarkable achievement signifies the immense popularity of the Minecraft franchise and its appeal to a diverse audience, including families and children. The film's success is a prime example of how strong intellectual property can translate into significant box office revenue.

Altitude’s environmental documentary “Ocean With David Attenborough” held fifth place with $285,429 and is now at $1.4 million after two weeks. The film’s continued performance indicates a growing interest in environmental documentaries and the impact of influential figures like David Attenborough. The film’s success is a testament to the power of educational and engaging storytelling. New entry “Hurry Up Tomorrow,” released by Lionsgate U.K., debuted in sixth place with $254,125. This debut demonstrates the potential for independent films to capture audience attention and generate revenue. The film’s success is a reflection of its unique story and the filmmakers’ ability to connect with viewers. Warner Bros.’ “The Accountant 2” continued in seventh, adding $149,259 in its fourth weekend for a total of $3.4 million. This sustained performance showcases the appeal of the original film and the continued interest in the character of the Accountant. The film’s success is a reflection of its well-executed action sequences and engaging storyline. Universal’s thriller “Hallow Road” opened in eighth with $109,596, while Trafalgar Releasing’s event film “ATEEZ World Tour [Towards the Light: Will to Power] in Cinemas” earned $80,044, landing in ninth. These event films demonstrate the potential for live performances and music experiences to translate into box office success. The films’ popularity reflects the devoted fanbases of these musical groups. Sony’s “Until Dawn” rounded out the top ten with $79,230 in its fourth weekend, bringing its total to £2.2 million. This sustained performance showcases the appeal of the horror genre and its ability to capture audiences seeking thrilling entertainment. The film’s success is a reflection of its well-crafted narrative and the quality of its production.

A diverse range of titles hits U.K. and Ireland cinemas this week, with a mix of action tentpoles, global arthouse, and classical arts programming offering something for every audience. Tuesday, May 20, sees “Exhibition on Screen: Michelangelo – Love & Death,” presented by Seventh Art Productions. This latest entry in the art documentary series explores the life and legacy of Michelangelo through expert interviews, on-location footage, and a close look at his masterworks. The film’s success is a reflection of the enduring appeal of Michelangelo’s art and the quality of the filmmakers’ storytelling. Also returning to screens is Sony Pictures’ re-release of the genre-defining British horror film “28 Days Later,” giving audiences a chance to revisit Danny Boyle’s haunting vision of societal collapse. The film’s enduring popularity demonstrates the power of genre films and the impact of Danny Boyle’s vision.

Wednesday, May 21, marks the arrival of one of the year’s biggest titles: “Mission: Impossible – The Final Reckoning,” from Paramount. Opening in over 300 locations, with Tom Cruise back as Ethan Hunt, the film is poised to dominate the box office heading into the bank holiday frame. This highly anticipated release represents a significant event for the film industry and is expected to generate substantial revenue. The film’s success is driven by the popularity of the Mission: Impossible franchise and the star power of Tom Cruise. Also out midweek is Disney’s reboot of “Lilo & Stitch.” This release represents a significant event for Disney and is expected to attract a wide audience. The film’s success is driven by the popularity of the Disney brand and the appeal of the Lilo & Stitch characters. Thursday, May 22, Trafalgar Releasing brings “Balleet to Broadway: Wheeldon Works – ROH, London 2025” to cinemas, spotlighting the Royal Ballet’s tribute to choreographer Christopher Wheeldon. Also screening is “The Sleeping Beauty – Paris Opera 2025,” presented by Pathé Live, showcasing one of the most celebrated productions of Tchaikovsky’s ballet by the Paris Opera Ballet. These events highlight the importance of classical arts programming and the appeal of ballet performances. Friday, May 23, will see several new features. Modern Films releases “When the Light Breaks,” a meditative Icelandic drama directed by Rúnar Rúnarsson and starring Elín Hall. This film’s success is driven by its unique story and the appeal of Icelandic cinema. Universal Pictures rolls out Wes Anderson’s latest, “The Phoenician Scheme,” while Day For Night releases Cannes title “Mongrel,” a drama from co-directors Chiang Wei Liang and You Qiao Yin. These releases demonstrate the diversity of cinematic offerings and the appeal of international films. Also opening is “Burden of Dreams,” the landmark 1982 documentary from Les Blank and Maureen Gosling chronicling Werner Herzog’s notorious Amazon shoot for “Fitzcarraldo,” distributed by Violet Pictures. This documentary offers a fascinating glimpse into the filmmaking process and the challenges faced by Werner Herzog. From Bollywood comes Zee Studios International’s horror-comedy “Kapkapiii,” a remake of Malayalam-language hit “Romancham,” and Yash Raj Films’ comedy “Bhool Chuk Maaf.” These releases demonstrate the global appeal of Bollywood cinema and its diverse range of genres.